由成立于英國的Story Leading Pubishing出版的英文文學(xué)雜志Bluebell第一期正式出版啦！從去年開始征稿，共收到全球100多篇投稿，最終來自十個(gè)國家的25篇小說、非虛構(gòu)和詩歌作品入選。

Bluebell

是一本紙質(zhì)文學(xué)雜志，是一個(gè)富含創(chuàng)作能量的平臺(tái)，致力于呈現(xiàn)來自世界各地的新銳寫作人才。我們的編輯團(tuán)隊(duì)成員來自英國、中國、印度、美國和津巴布韋，最初在英國東英吉利大學(xué)（UEA）的創(chuàng)意寫作碩士課程中相識(shí)。我們希望建立一個(gè)跨越文類、跨越國界的國際寫作社群，通過新的視角來挑戰(zhàn)、豐富并拓展傳統(tǒng)敘事。我們致力于尋找能夠推開知識(shí)、思想和想象邊界的高質(zhì)量寫作，并期待引入新鮮聲音，推動(dòng)跨越國界的交流與對(duì)話。

Bluebell

, a print magazine, is a dynamic platform showcasing new talent from around the world. Our editors, from the UK, China, India, US and Zimbabwe met at the University of East Anglia’s Creative Writing Master’s Programme. We were inspired to build an international community of writers across genres who bring new perspectives to challenge, complicate and expand traditional narratives. We are looking for high-quality writing that pushes at intellectual, political and imaginative boundaries, drawing fresh voices into conversations across borders.

Bluebell

ISBN：978-1-0684975-9-9

2025.7第一版

活動(dòng)一：

Bluebell

UEA 發(fā)布會(huì)（英國諾里奇）

時(shí)間

7月19日，2:00 - 5:00 pm（無需報(bào)名）

地址

Julian Study Centre Foyer 0.02, University of East Anglia, Norwich, UK

現(xiàn)場嘉賓

Bluebell

發(fā)行人兼編輯：李梓新

Bluebell

編輯：Julia Hollingsworth

非虛構(gòu)雜志Hinterland發(fā)行人兼主編：Andrew Kenrick

Bluebell

作者，愛爾蘭及印度混血作家：Siobhan Galvin

Bluebell

作者， 美國詩人：Stephanie Feeney

活動(dòng)二：Bluebell 倫敦發(fā)布會(huì)及寫作工作坊

時(shí)間

7月27日

日程安排

1:00 -3:00 pm創(chuàng)意寫作工作坊：中英文創(chuàng)意寫作異同體驗(yàn)

（需報(bào)名, 8-12人)

3:00-5:00 pm

Bluebell

Book Launch

(無需報(bào)名，嘉賓名單持續(xù)更新中）

5:00-7:00 pmAfter Party

(無需報(bào)名)

地址

ESEA Community Centre，12-14 Englefield Road,London N1 4LS

導(dǎo)師介紹

李梓新

一位用英文和中文進(jìn)行寫作的非虛構(gòu)作者。2011年創(chuàng)辦“三明治”。2024年，在UEA完成了創(chuàng)意非虛構(gòu)寫作的碩士課程。關(guān)注世界各地的離散文學(xué)，尤其是來自東亞和東南亞的聲音。目前正進(jìn)行關(guān)于潮汕的非虛構(gòu)書籍寫作。2020年，在倫敦創(chuàng)辦Story Leading Publishing，致力于建立東西方之間的文學(xué)交流和出版橋梁。2024年，創(chuàng)辦

Bluebell

英文文學(xué)雜志。

Georgia Aitkenhead

Georgia在高中之前一直是一位在家學(xué)習(xí)者，本科在牛津大學(xué)學(xué)習(xí)英國文學(xué)，后又完成了劍橋文學(xué)碩士學(xué)位，并一直追隨著她對(duì)教學(xué)、講故事和社區(qū)建設(shè)的熱情。

2017年她曾在北京執(zhí)教半年，幫助自閉癥兒童學(xué)習(xí)。最近五年，她是英國國家數(shù)據(jù)科學(xué)和人工智能研究所——艾倫·圖靈研究所（The Alan Turing Institute）的博士后研究員，在神經(jīng)多樣性團(tuán)隊(duì)工作，探索感官認(rèn)知和公眾參與的研究課題。目前，她正在幫助一位身殘志堅(jiān)者寫作自傳。

工作坊報(bào)名詳情

門票：￡20

工作坊+

Bluebell

雜志一本：￡30

添加三明治明仔（ming30s）報(bào)名并獲得付款方式

Bluebell

前言 ——

文｜Emily Midorikawa

英日混血作家，著有Out of Shadows: Six Visionary Victorian Women in Search of a Public Voice

Bluebell(藍(lán)鈴花)——光是這個(gè)名字，就能喚起美妙的聯(lián)想。藍(lán)鈴花呈天藍(lán)色，鐘形的花朵仿佛精靈的杯盞，自古以來便與魔法和仙靈傳說緊密相連。即使到了今天，凡是曾在斑駁光影中的林地轉(zhuǎn)角處，偶然邂逅一片藍(lán)花地毯的人，都知道那種瞬間被它們迷住的感覺。

在閱讀這本刊物中的詩歌與散文時(shí)，我常常想起這種感覺。

Bluebell

是一本文學(xué)氣息濃厚、具有強(qiáng)烈國際視野的雜志，其作品來自世界各地——既有這種野花在春日常見、卻仍令人屏息的地方，也有它從未出現(xiàn)過的地域。

盡管創(chuàng)刊號(hào)所展現(xiàn)的作家群體地理跨度甚廣，描繪了不同的文化和社會(huì)，但仍有一些共同的主題格外引人注目。恰如這本雜志的名字所示，許多作家的關(guān)注點(diǎn)集中在“平凡”事物中的非凡意義上：一個(gè)偶然的邂逅；一次出人意料的反應(yīng)；某種揭示隱藏現(xiàn)實(shí)或建立新聯(lián)系的經(jīng)歷。

在那篇令人著迷的 Murmurations 中，Siobhan Galvin描繪了一位因神秘關(guān)系而被卷入一連串不可逆事件的主人公。而在 Shrilly, on a Tuesday 里，Arun賦予一組看似平凡的日常物品以驚人的新意。Eugenia Webster的《如果明天戰(zhàn)爭開始，你會(huì)怎么做？》中，作者用手指輕撫破舊書脊的動(dòng)作，仿佛打開了一道通往童年記憶場景的門戶。

這三篇作品——一個(gè)短篇故事、一首詩和一篇散文——所呈現(xiàn)的閃光時(shí)刻，僅是本期精彩內(nèi)容的縮影。閱讀它們讓我有幸結(jié)識(shí)了許多新聲音和令人耳目一新的文字，它們常常使我以全新的視角審視當(dāng)下的世界。

而當(dāng)我從當(dāng)下回望過去，不禁想到維多利亞時(shí)代的人曾將藍(lán)鈴花視為恒久不變的象征——這點(diǎn)對(duì)我而言同樣真實(shí)。孩提時(shí)代，每到春天，我已故的母親總會(huì)準(zhǔn)備好野餐，執(zhí)意帶我們?nèi)议_車前往她最喜歡的林地，重復(fù)一年一度的傳統(tǒng)儀式。她自東京遷居英格蘭北部后便深深愛上了藍(lán)鈴花。我們會(huì)將車停好，走上那條年年走過的小徑，一直走到空地上——如果一切如愿，那里總會(huì)再次鋪展開一片藍(lán)色花海，那景象既熟悉親切，又每一次都令人驚艷如初。

這種感受，不正如我們期待從一本文學(xué)雜志中獲得的體驗(yàn)嗎？每一期都保有一以貫之的語調(diào)與精神，又蘊(yùn)藏足夠的新鮮元素，帶來意想不到的驚喜？

在此，我唯一還想說的就是：我衷心希望這只是

Bluebell

雜志的第一期，未來還會(huì)有更多期的出版。而每年定期翻閱它的篇章，終將成為我生活的一部分，就如同那段早已過去的家庭傳統(tǒng)一般。

—— Preface ——

By Emily Midorikawa

Bluebell

– the very name conjures up wondrous associations. The

bluebell

, with its cerulean, bell-shaped cups has been associated historically with enchantment and fairy lore. Even today, anyone who has ever turned a corner in a light-dappled woodland and stumbled upon a carpet of these blue flowers will know what it is to fall suddenly under their spell.

It’s something I found myself thinking about a lot while reading the poetry and prose within these pages.

Bluebell

is a very international publication, with work drawn from all over the world – from territories in which this wildflower is acommon, though nonetheless arresting, springtime sight, to those in which it is unknown.

Although the geographically wide pool of talent showcased in the magazine’s first issue has resulted in a real diversity of cultures and societies portrayed, some unifying themes stand out. Aptly, given the publication’s name, a preoccupation of many writers is the extraordinary nature of‘ordinary’ things: a chance encounter; an unanticipated reaction; something that reveals a previously hidden reality or forges a new connection.

In the constantly intriguing ‘Murmurations’, Siobhan Galvin presents a protagonist drawn into an unstoppable chain of events through a mysterious relationship. ‘Shrilly, on a Tuesday’ by Arun attaches startling new meanings to what we might initially regard as a collection of everyday objects.Eugenia Webster’s ‘What Would You Do If War Began Tomorrow?’ depicts the movement of the author’s fingers stroking tattered book spines as a sort of portal leading her back to scenes from childhood.

These luminous moments from three works – a story, poem and essay – are just a few of the many fascinating examples I could have chosen to highlight. It was a pleasure to discover many new voices, and new writing that often made me look at today’s world afresh.

To turn from the subject of the present to the past,though, I am reminded that the Victorians associated bluebells with constancy – something that also rings true for me. Throughout my childhood, my late mother – who’d loved bluebells ever since emigrating from her native Tokyo to Northern England – would pack up a picnic every spring and insist that our family drive out to her favourite local wood so that we could repeat an annual ritual. We’d park the car anddescend the same well-trodden path to the clearing where, if everything was at is should be, we’d encounter that sea of blue flowers once more – a sight that was both comfortingly recognisable and uniquely astounding on each viewing.

Isn’t this sensation similar to the feeling we hope to gain from reading a literary magazine – that every issue will be instantly identifiable in terms of overall tone, while also bursting with elements that take us by surprise?

On that note, all that remains for me to say is that I hope this will be the first of many issues of

Bluebell

magazine and that regularly exploring its pages will become as much a part of my annual routines as that long-past family tradition once was.

Emily Midorikawa is a writer of fiction and non-fiction. She is the author of Out of the Shadows: Six Visionary Victorian Women in Search of a Public Voice, and the coauthor of A Secret Sisterhood: The Literary Friendships of Jane Austen, Charlotte Brontё, George Eliot, and Virginia Woolf (written with Emma Claire Sweeney, and with a foreword by Margaret Atwood).

Emily is a winner of the Lucy Cavendish Fiction Prize. Her journalism has appeared in publications including the Paris Review, TIME, The Times (of London), and the Washington Post. She is an experienced writing tutor, having taught at institutions including the University of Cambridge; City, University of London; the Open University; and New York University London, where she was based until 2024.

Bluebel

l

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