來源：設(shè)計(jì)先鋒隊(duì)（ID:toot8448）

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Driving from Tokyo to Chino City in Nagano Prefecture, Buttondesign's designers were struck by the light of the Tateyama Mountain Range. The light flowing through the cascading peaks became the inspiration for Apartment in Tateshina. This 74-square-meter vacation apartment is more than just a living space; it's a "forest light box" designed for urbanites, allowing them to escape into the rhythms of nature every weekend.

從東京駛向長野縣茅野市的途中，Buttondesign 的設(shè)計(jì)師被立山連峰的光影擊中 —— 層疊山巒間流淌的光線，成了 Apartment in Tateshina 的設(shè)計(jì)原點(diǎn)。這座 74 平方米的度假公寓，不再是簡單的居住空間，而是為都市人打造的 “森林光盒”，讓每一次周末逃離，都能與自然的時(shí)間韻律相擁。

The soul of the space lies within the oak veneer wall that replicates the texture of the mountains. The designer abandoned neat stitching and used randomly undulating wood grain to simulate the contours of the Tateyama Mountains. Touching the wood with your fingertips, you can feel the natural texture and warmth of the wood, as if bringing the breath of an entire forest into the room. When morning light streams in through the east window lattice, it casts shadows of varying depths on the oak wall. As the sun rises, the shadows slowly shift and transform, like clouds flowing between the mountains. In the afternoon, warm light gilds the wood grain, transforming the wall into a dynamic "light and shadow canvas." In the evening, dusk drifts into the room, and the blend of oak and dim light adds a touch of forest tranquility. This wall is no longer a decoration, but a "scale of time," allowing residents to inadvertently capture the flow of seasons and day and night while sipping tea or reading.

空間的靈魂，藏在那面復(fù)刻山巒肌理的橡木單板墻里。設(shè)計(jì)師摒棄規(guī)整的拼接，用隨機(jī)起伏的木紋模擬立山連峰的輪廓，指尖撫過，能觸到木材天然的紋理與溫度，仿佛將整片森林的呼吸引入室內(nèi)。當(dāng)晨光從東側(cè)窗欞斜切而入，光線在橡木墻上投下深淺不一的陰影，隨著太陽升高，陰影緩緩移動(dòng)、變形，像山巒間流動(dòng)的云霧；午后，暖光為木紋鍍上金邊，讓墻面成了動(dòng)態(tài)的 “光影畫布”；傍晚，暮色漫進(jìn)室內(nèi)，橡木色與昏黃交融，又添了幾分森林的靜謐。這面墻不再是裝飾，而是 “時(shí)間的刻度”，讓居住者在喝茶、閱讀時(shí)，不經(jīng)意間便捕捉到四季與晝夜的流轉(zhuǎn)。

The choice of materials revolves around the "enveloping feeling of a forest." The floor is clad in warm, solid wood, not cold tiles. Walking barefoot, you can feel the wood's softness. The furniture is primarily light wood, with simple lines yet conveying the warmth of handcrafted craftsmanship. For example, the low cabinet in the living room retains the natural oak knots, like the marks of trees that have weathered the years in the forest. The soft furnishings are minimalist, with only a pot of fine-leaved asparagus fern placed next to the sofa. The contrast of its emerald green with the wood adds a touch of vitality to the space. The entire interior is devoid of bright colors, only the warm brown of the oak, the off-white walls, and a small amount of gray soft furnishings, like the background color of the forest, simple yet soothing. This restraint precisely responds to the need to "get away from the hustle and bustle," allowing the occupants' eyes and minds to focus on light, shadow, and nature itself.

材質(zhì)的選擇，始終圍繞 “森林的包裹感” 展開。地面沒有用冰冷的瓷磚，而是鋪就溫潤的實(shí)木，赤腳踩上去，能感受到木材的柔和；家具以淺木色為主，線條簡約卻帶著手工的溫度，比如客廳的矮柜，柜面保留了橡木的天然結(jié)疤，像森林里歷經(jīng)歲月的樹木印記；軟裝沒有過多繁復(fù)的裝飾，僅在沙發(fā)旁放一盆細(xì)葉文竹，翠綠與木色相映，讓空間多了幾分生機(jī)。整個(gè)室內(nèi)沒有鮮艷的色彩，只有橡木的暖棕、墻面的米白與少量灰色軟裝，如同森林的底色，樸素卻治愈 —— 這種克制，恰是對(duì) “遠(yuǎn)離喧囂” 需求的精準(zhǔn)回應(yīng)，讓居住者的視線與心緒，都能專注于光影與自然本身。

The functional layout reflects a sense of relaxation. The open-plan living, dining, and kitchen areas are separated by low cabinets and a bar counter, free of rigid partitions. While preparing a meal in the kitchen, the owner can gaze upon family members reading on the sofa in the living room, or gaze upon the trees in the courtyard through the floor-to-ceiling windows. The bedroom continues the overall warm tone, with the headboard wall also clad in oak veneer. At night, when the bedside lamp is on, the warm light filters through the wood grain, reminiscent of a forest bonfire, inviting a peaceful sleep. A low couch, covered with a soft cotton and linen cushion, sits by the window. Curling up here with a book in the afternoon sun, the birdsong and the whisper of the wind outside the window comfortably dispel the fatigue of the city.

功能布局則藏著對(duì) “松弛感” 的考量。開放式的客餐廚區(qū)域沒有生硬隔斷，僅用矮柜與吧臺(tái)自然劃分，主人在廚房準(zhǔn)備餐食時(shí)，抬眼便能望見客廳沙發(fā)上閱讀的家人，或透過落地窗看到庭院里的樹木；臥室延續(xù)整體的溫潤基調(diào)，床頭墻同樣采用橡木單板，夜晚床頭燈亮起，暖光透過木紋漫開，像森林里的篝火，讓人安心入眠；窗邊設(shè)了一處矮榻，鋪著柔軟的棉麻墊子，午后陽光正好時(shí)，蜷在這里翻看書籍，耳邊是窗外的鳥鳴與風(fēng)聲，都市的疲憊會(huì)在這一刻被徹底消解。

Buttondesign's design is essentially about "transforming the thrill of first encounters with the mountains into a tangible, everyday experience." Rather than deliberately "mimicking" nature, they use the texture of oak wood and the play of light and shadow to make the space an "extension" of nature—much like the designers' first glimpse of the light and shadow of Mount Tateyama when they drove by, a feeling that ultimately became the warmth of every detail within the interior. In this apartment, residents don't need to deliberately "seek" nature, as light, wood, and wind are already integrated into every moment of life: awakened by the light of the forest in the morning, drinking tea with light and shadow in the afternoon, and falling asleep to the sound of the wind in the evening.

Buttondesign 的設(shè)計(jì)，本質(zhì)是 “將初見山巒的感動(dòng)，轉(zhuǎn)化為可觸摸的日常”。他們沒有刻意 “模仿” 自然，而是用橡木的肌理、光影的變化，讓空間成為自然的 “延伸”—— 就像設(shè)計(jì)師第一次驅(qū)車所見的立山光影，那份震撼最終變成了室內(nèi)每一處細(xì)節(jié)的溫度。在這座公寓里，居住者不用刻意去 “尋找” 自然，因?yàn)楣?、木、風(fēng)早已融入生活的每一個(gè)瞬間：清晨被林間的光線喚醒，午后與光影一起喝茶，傍晚聽著風(fēng)聲入眠。

Ultimately, Apartment in Tateshina proves that the best vacation spaces aren't simply about piling up natural elements, but rather about allowing space to become a medium between nature and the human heart. When urbanites open this door, they temporarily escape the fast-paced concrete jungle and enter a world enveloped by light and forest, where time slows, senses sharpen, and relaxation becomes the most natural state of life.

最終，Apartment in Tateshina 證明，最好的度假空間，從不是堆砌自然元素，而是讓空間成為 “自然與人心的媒介”。當(dāng)都市人推開這扇門，便暫時(shí)脫離了鋼筋叢林的快節(jié)奏，走進(jìn)一個(gè)被光與森林包裹的世界，在這里，時(shí)間變得緩慢，感官變得敏銳，而 “松弛”，也成了最自然的生活狀態(tài)。

△平面圖

編輯：夏邊際

撰文：豆寶寶

校改：吳一仁

編排：布忠耀

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